Contact PRIMITIVE RUG

 

 

55 York Street
Morningside, QLD, 4170
Australia

Antique handmade, long piled nomad rugs are rare and unique. Primitive Rug reveals the stories of the nomadic people who wandered the deserts and mountains of Central Asia and beyond, leaving behind these woven works of art. In our store you will find an exclusive selection of old, nomad made rugs. 

These primitive hand woven rugs are from the Amu Darya in the north of Afghanistan, Samarkand in Uzbekistan, the Afghan Pamirs, eastern Turkey, Iran, Spain, eastern Europe, and the mountainous regions of central Afghanistan.

Uzbek Rugs.jpg

Journal

Shaggy Long Pile Tribal Nomad Rugs

Filtering by Tag: Uzbek Bearskin

Uzbek Julkhirs

Robert Cobcroft

  Uzbek Julkhirs Circa 1900

Uzbek Julkhirs  probably from Northern Afghanistan or Southern Uzbekistan, woven in the first quarter of the twentieth Century. There is some tip fading, the original dye colours are more vivid at the base of the knots. The probable use of synthetic dyes and subsequent fading has resulted in a muted colour range. The lightest wool colour is natural undyed camel hair. Use of the rhombus as a design element was common in Julkhirs in this rug delineated by the dark brown sheep wool, diagonal lattice design.  This example shows particularly poor rendering of the rhomboid shapes creating a primitive rug with naive qualities.

The warp faced back is typical of julkhirs rugs, this one woven using a common method, wool warps and wefts are paired singles.

 

Julkhirs Bearskin Rug  Knots

The Fabric Merchant of Samarkand

Robert Cobcroft

  Uzbek Julkhirs floor rugs - cloth merchant Samarqand

 

The Fabric Merchant of Samarkand's Julkhirs 1

Two Julkhirs in use on the floor of a fabric merchant’s store in Samarkand Circa 1910 silk, cotton and wool fabrics as well as a framed page of the Koran are hung on the wall.

Aniline Dyes Uzbek Julkhirs

Prokudin-Gorskii employed a unique colour photographic process to capture the image of the Samarkand cloth merchant. Three glass negatives exposed simultaneously, described as triple-frame images made with colour seperation filters. The effect can be seen at the edge of the image. In post production the negatives were sandwiched together to create a colour composite. We are fortunate to have access to these early colour images.

The two Julkhirs shown in this image are typical of early 20th Century production where Julkhirs were produced using synthetic dyes. In some the dyes are extremely unstable and bright garish colours were used, presumably a shortcut to emulate the deeply saturated naturally dyed 19th century examples.  Compare the image to the right to the one at the front of the fabric merchants store – this rug has all of the problems associated with the use of these dyes.

See also Moshkova for other example illustrated dating from the beginning of the twentieth century.2

 

1 Image: Library of Congress, Prints & Photographs Division, [Reproduction Number: LC-DIG-prokc-21725]

2. Moshkova  V. G.  Carpets of the People of Central Asia (George O’Bannon,  Arizona Lithographers Tucson, Arizona, 1996 pp,. 78,86

Fabric Merchant Samarqand - Julkhirs as floor coverings

Dye runs garish aniline dyes Julkhirs Circa 1910